MIIA’s “Necessary Evil” Is Dark Pop at Its Most Immersive
On “Necessary Evil,” MIIA embraces a darker and more rhythm-driven sound while maintaining the emotional vulnerability that has…
Author: Elle McGuire
The Art of Restraint: Colm Warren “Without You”
In “Without You,” Colm Warren demonstrates a level of artistic discipline that elevates the song beyond its already…
UKofA Shines In New Album “Time Will Take This All Away From Us”
After years spent navigating the outer edges of heavy music and experimental sound, UKofA returns with a project…
Why “Chasing A Trace” Might Be Peter DiMaggio’s Breakthrough Moment
Some artists spend years perfecting their craft before the wider world catches up. Listening to “Chasing A Trace,”…
Down the Rabbit Hole and Into the Void: Beverly Hell’s Dream-Pop Descent on “Alice In Underland”
In an era where emerging artists often arrive armed with algorithms and aesthetics before identity, Beverly Hell’s debut…
Modern Folk in Soft Focus: Jonah Connock’s New Album Is Precision Hidden in Fragility
On paper, the modern folk revival has become crowded with artists chasing “authenticity” as aesthetic rather than instinct.…
“Not A Dream” by FAVNA Is A Dreamy Progressive House at Its Finest
With “Not A Dream,” FAVNA delivers a sophisticated and emotionally resonant piece of melodic electronic music that effortlessly…
NMDA and Isabelle Rose Return with New Single ‘Stoned’
On “Stoned,” NMDA and Isabelle Rose construct a piece that resists the conventional pleasures of genre classification. It…
From The Cameron House to Center Stage: Gianni Ferraro’s Next Evolution
The story of Gianni Ferraro begins in one of Canada’s most celebrated live music institutions. Long before he…
Rzekomo’s “The Gray Zone of Talk” Arrives Like a Half-remembered Dream
Rzekomo’s The Gray Zone of Talk arrives like a half-remembered dream; elusive, atmospheric, and impossible to fully pin…