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Rebecca Black Steps Fully Into the Spotlight on ‘Age of the Exhibitionist’

Rebecca Black releases Age of the Exhibitionist, a 12-track pop album exploring visibility, performance and life in the public eye.
SEPTEMBER 4, 2026 5:47AM
Rebecca Black in promotional imagery for “Age of the Exhibitionist.” Courtesy of Rebecca Black.

Rebecca Black turns years of public scrutiny into a bold pop statement on her new album, Age of the Exhibitionist.

Rebecca Black has released Age of the Exhibitionist, her second full-length studio album, arriving September 4 with 12 tracks that push further into the sleek, club-minded pop world she has been building in recent years. The project follows 2023’s Let Her Burn and 2025’s SALVATION, while giving Black a bigger canvas for her mix of electronic production, sharp hooks and self-aware songwriting.

The album includes “Anaheim Star,” “Hot Wet Delirious,” “Exhibitionism,” “Corsetry,” “Miss Delicious,” “Pistol,” “Backstage Baby Interlude,” “Michael.,” “Visions Again,” “Waschesalon,” “Metamorphia” and “Speakerphone.” The 12-song tracklist frames the record as both a performance piece and a personal statement, moving between exaggerated pop imagery and more reflective moments.

Black built the album around the idea of exhibitionism as more than shock value, using it to explore what it means to live publicly, be watched and keep choosing visibility. In a recent People interview, she connected the concept to spending much of her life in front of an audience and to the desire to be seen, understood and remembered.

The rollout has already introduced several sides of the project through singles including “Speakerphone,” “Hot Wet Delirious” and “Michael.” Those releases paired confident club-pop production with striking visuals, helping establish the album’s larger world of glamour, provocation and performance before the full record arrived.

Age of the Exhibitionist lands as Black prepares to take the material on the road with her Exhibitionism on Tour dates. The new album captures an artist leaning directly into visibility on her own terms, turning the pressure of being watched into one of the central themes of her music.

   

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