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Daygo’s “Rearview” Is a Cinematic Leap for San Diego Hip-Hop

  • June 30, 2025
  • TeamGQP
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Daygo in a parking lot in North Las Vegas
Recording Artist Daygo makes an appearance at EDC Las Vegas 2025

Some artists drop songs. Others drop chapters in a living memoir. On June 27, 2025, Daygo released “Rearview”, and with it, he opened a new page in his catalog—one written not with ink, but with consequence. At its surface, the track is smooth: a slow-tempo, soul-drenched blend of synth and space. But listen closely, and you’ll find something harder to define. Regret. Reflection. Restraint. “Rearview” doesn’t explode—it haunts. It trails you like an echo in the back of your head. And that’s intentional.

The record’s mood is set early by Nicole Tripp, the Las Vegas producer whose name is becoming synonymous with cinematic production in the Southwest. She doesn’t just build beats—she builds worlds. Her instrumental on “Rearview” feels like dusk falling over the Vegas skyline—romantic, tense, and full of unspoken weight. Then enters Daygo—raw but composed, as if he’s been holding these verses in for years. Every word lands heavier because of the man behind the mix: L.A.rry L.A.vell, the Inglewood-bred celebrity producer whose engineering credits read like hip-hop royalty. From Sonny Digital to Bernadette Cooper, he’s shaped hits. But on “Rearview,” his touch is subtler. He lets Daygo breathe. Lets the beat live. Lets the silence speak. And from Studio 1920, one of Vegas’ most respected creative spaces, the final product isn’t just clean—it’s felt.

Daygo in a parking lot in North Las Vegas 2025
Daygo at EDC Las Vegas 2025

Of course, Daygo’s path to this moment wasn’t overnight. His early street singles—“Mad Max,” “Money Militia”—were loud, aggressive, necessary. His 2023 single release party, dubbed “Daygo’s World,” became a local phenomenon. And while many artists stagnate in the success of those early wins, Daygo grew. Tours with Kurian, Sabtherapper, Zelly Vibes, DVA, and Amy Jaime added polish to his presence. Collabs with Young Keefa and Infamous Moon added color to his sound.

But “Rearview” is different. It’s not about the city. Or the stage. Or the spotlight. It’s about what’s left behind when the lights fade. In the age of clout-chasing and short attention spans, Daygo made something timeless: a record that whispers, then echoes. A moment you didn’t know you needed until it hits you days later, on a quiet drive home—when the past creeps up in your own rearview.

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