Òran Mór’s packed audience found themselves part of the story as Dystopia: The Rock Opera…
Molly Stone’s “Just a Girl” is a compelling exercise in duality: simultaneously sweet and biting,…
Zëta Ræ is back, and she’s not here to play coy. “Obvious” explodes out of…
With The Dark Made Sense, Sam Uctas delivers a record that is unapologetically unrefined and…
Close To Monday’s latest single, “Pray,” is a quiet storm. It builds not through heavy…
HAIVE’s latest single, “Bathtub,” is a masterclass in turning raw emotion into infectious Dark Pop…
Aliza Li’s latest EP, TRU, lands like a quiet explosion. Just three tracks long, it’s…
Mary Hatley’s The Poison I Choose is not just a debut—it’s a declaration. Recorded at…
Norwegian artist MARI’s debut EP between the lines is a bold entry into the pop…
Nikki Ambers’ “I Believe” is the kind of track that demands attention without trying too…