Eva Nolia Vae’s debut EP, Empty Hands, is a stunning testament to resilience and artistic growth, solidifying her place as a rising star in Berlin’s music scene. With its lead single, “Days for the Making,” at its heart, this 5-track collection weaves together R&B, soul, and cinematic soundscapes into an emotive exploration of self-reflection and perseverance.
“Days for the Making” exemplifies the EP’s introspective and transformative spirit. Opening with a somber, stripped-back arrangement, the track evolves into a powerful anthem of hope and stability. Vae’s soulful vocals shine throughout, delivering poignant lyrics that resonate deeply. “It’s a reflection on perseverance and trusting yourself while facing your struggles,” Eva explains, encapsulating the song’s raw yet uplifting essence.
The EP benefits from the collaborative energy of Berlin’s jazz scene, featuring contributions from saxophonist Marius Max, drummer Clinton Agu, and violinist Roland Satterwhite. Co-produced with Sam Hatchwell, Empty Hands was recorded in just one week, a feat that underscores its spontaneous and authentic charm. The EP’s instrumentation is rich and layered, combining soulful melodies with subtle jazz influences to create a sound that feels both timeless and innovative.
With Empty Hands, Eva Nolia Vae emerges as a bold new voice in contemporary music, blending heartfelt storytelling with a depth of musicality that lingers long after the final note. This debut EP is not just a collection of songs—it’s a powerful introduction to an artist destined to leave a lasting impression.
