EP didn’t just fall into music—he lived it. From childhood days mastering the piano, trumpet, and alto saxophone to freestyling with friends, his journey has been a symphony of creative evolution. “I was always a writer,” he reflects, “and writing songs came naturally.” That natural talent blossomed into collaborations with artists like Animator Joe, Zo Zilla, and UGS, but it’s in recent years that EP has stepped into his own lane, pushing his music to the masses with a lyrical prowess and infectious bounce that demands attention.
Describing his sound as “lyrical with some bounce to it,” EP carves out a space where sharp wordplay meets unshakable grooves. His music “has another vibe and sound to it”—a distinction that’s earned him nods in XXL Magazine and a growing buzz in the underground scene. Yet, his path hasn’t been without hurdles. “My biggest obstacle was getting out of the city to promote and perform,” he admits, prioritizing family while grinding to expand his reach.
One of his proudest moments came at an intimate show where he “drew a crowd in” by sheer force of charisma and skill, turning a sparse room into a packed, energized space. It’s a testament to his magnetic stage presence—a quality that translates to his connection with fans, both online (@eponenonly) and in the flesh. “I like the appreciation for my music,” he says, a humble acknowledgment of the love he’s cultivated.
Now, EP is laser-focused on his upcoming project, The Milks Gone Bad, a title that hints at his unconventional flair. Alongside new singles and visuals, he’s prepping EPs and a mixtape series, proving his work ethic is as relentless as his rhymes. His advice to aspiring artists? “Always be promoting and networking. Travel and push your sound everywhere.” It’s a mantra he lives by, with his sights set on “The Top”—a goal he’s chasing with quiet confidence.
“Stay tuned because I’m only getting started,” EP declares. “Never give up.” With a pipeline of projects and a sound that refuses to be boxed in, this lyrical maverick is poised to turn more than just heads—he’s coming for the game itself.
